Yarn

This event has been postponed; additional details coming soon.

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In the Crown!

This event is standing room only. Limited seating available upon request.

Tickets are $15.
A $1 Facility Fee will be added to the price of each ticket. NC sales tax is included in the ticket price.

Guests can opt to have tickets mailed to them for a $1 postage fee, or can pick tickets up at will call for no additional charge.

Please note: There is an additional $3.50 per ticket service fee on web purchases. To avoid this charge, call the Carolina Theatre Box Office at 336-333-2605 Monday through Friday from noon until 5PM, or visit the Carolina Theatre in person.

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You might expect a band that calls itself Yarn to, naturally, tend to spin a yarn or two. “That’s what we do, we tell stories, live and in the studio, truth and fiction,” singer/songwriter Blake Christiana insists. “We don’t always opt for consistency. There’s a different vibe onstage from what comes through in our recordings. There’s a difference in every show as well, you never know what you’re going to get.” It was with that in mind that Yarn released a series of singles that were digitally released on the 13th of every month beginning in January 2018 and continuing throughout the year. Each “single” included an “A side”, a “B side” and an exclusive alternate version of one of the songs. Naturally, there’s no better name for the project than “Lucky 13.” 24 of those tracks are now available on the albums, Lucky 13 Vol. 1 and Lucky 13 Vol. 2, just released on June 13, 2019.

Yarn have never been content to simply ride a wave and see where it takes them. Their last album, This Is the Year, was celebratory in tone and boldly optimistic. A seamless blend of vibrant, inspired, back porch melodies and narrative, descriptive lyrics, it detailed the challenges one faces when life is jolted off its bearings and, in reevaluating relationships, tough choices must be made that sometimes skirting the rules. It was recorded in the aftermath of real life challenges that left the band splintered and unsure of their forward trajectory. “We were dealing with real life issues,” Christiana said at the time. “Broken relationships, a sense of having to regroup and put some things –and people –behind us.”

Yarn has shared stages with such superstars as Dwight Yoakam, Charlie Daniels, Marty Stuart, Allison Krauss, Leon Russell, Jim Lauderdale and The Lumineers, and performed at any number of prestigious venues, including Mountain Stage, Daytrotter, the Orange Peel in Asheville, the Fox Theater in Boulder, the 9:30 Club in D.C, South by Southwest, the Strawberry Festival, Rhythm and Roots, Meadowgrass, Floydfest and more, eventually surpassing 1,000 shows, half a million miles and performances in nearly every state. They’ve driven nonstop, made countless radio station appearances, driven broken-down RVs and watched as their van caught fire. They’ve paid their dues and then some, looking forward even as they were forced to glance behind. Indeed, the accolades piled up quickly along the way.

They have landed on the Grammy ballot 4 times, garnered nods from the Americana Music Association, placed top five on both Radio and Records and the AMA album charts, garnered airplay on Sirius FM, iTunes, Pandora, CNN, and CMT, and also accorded the “Download of the Day” from Rolling Stone. Their album Shine the Light On found shared song writing credits with John Oates (of Hall & Oates fame), and when audiences expressed their admiration, it brought the band a populist following of diehard devotees, popularly known as “the Yarmy.” As odd as that might seem, it’s proof positive that the Brooklyn- and Raleigh-based band – which is currently comprised of Blake Christiana, Rod Hohl, bassist Rick Bugel, and drummer Robert Bonhomme – have made their mark, and in dealing with their emotions, scars and circumstances, they find themselves in a position to share those experiences with others who have juggled similar sentiments. Then again, one needn’t take them at their word. When one unravels Yarn, it’s best to add one’s own interpretations