This event has been postponed; additional details coming soon.
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In the Crown with Bruce Piephoff!
This event is seated.
Tickets are $17 in advance, $19 at the door.
A $1 Facility Fee will be added to the price of each ticket. NC sales tax is included in the ticket price.
Guests can opt to have tickets mailed to them for a $1 postage fee, or can pick tickets up at will call for no additional charge.
Please note: There is an additional $3.50 per ticket service fee on web purchases. To avoid this charge, call the Carolina Theatre Box Office at 336-333-2605 Monday through Friday from noon until 5PM, or visit the Carolina Theatre in person.
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Vance Gilbert exploded onto the scene in the early 90’s, with buzz spreading quickly. Who was this multicultural arts teacher knocking them dead at open mics? After opening Shawn Colvin’s 1992 Fat City tour, he took much of America by storm and by surprise. “With the voice of an angel, the wit of a devil, and the guitar playing of a god, it was enough to earn him that rarity: an encore for an opener,” wrote the Fort Worth Star-Telegram in its review of a show from the Colvin tour.
Vance followed with three acclaimed albums for the Rounder/Philo label: Edgewise (1994), Fugitives (1995), and Shaking Off Gravity (1998). Then, Somerville Live (2000) was lionized by the Boston Globe as the disc “young songwriters should study the way law students cram for bar exams,” and New York’s Town and Village called One Thru Fourteen (2002), “lively, eclectic, electrifying and transcending.” Gilbert then released a duo album with his friend Ellis Paul, entitled Side Of The Road (2003). The Boston Globe described it as “the songwriter’s most compelling work; literate, heartfelt, rippling…emotionally resonant.” The Globe placed the album on its Top 10 list that year.
Gilbert only continued on with three more albums: Angels, Castles, Covers (2006) displaying his vocal virtuosity, with sounds of Motown, the R&B of Al Green, and classic Joni Mitchell; Up On Rockfield (2008) just after a year and a half as support for George Carlin; and Old White Men.
Which brings us full circle to BaD Dog Buffet, the latest in a growing, glowing oeuvre and an evocative catalog created by a cornerstone acoustic artist.
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Bruce Piephoff has been writing and performing songs and poetry for over 40 years. Firmly a part of the Appalachian tradition of story-songs and character portraits, it’s his versatility that makes his music so fascinating. Easily touching both the shores of folk music and poetry with simple, compelling imagery and subtle depth, Piephoff’s unassuming voice, ringing with wit and sincerity, steals the show.